Autobiographical Creativity in 3 Collections

This is the area where my creativity has been most active over the last decade. It is also the area that is most autobiographical. I came to poetry late in life, so I had a lot of memory to explore and manipulate with great excitement discovered in the reading of it - and eventual memorization and performance of the poems, as well, in recent times. I'm told these poems are surprisingly honest and sometimes funny, as well.

My three collections to date contain many poems, long and short, based on incidents in my fairly eventful and varied life, not to mention the changing society I've lived through. Each collection is more or less in chronological order, but that still leaves quite a bit of jigsaw-puzzling for the reader. My first collection Lifescapes was half of the two-hander Side-angles (2005) that I did with Steve Downes. As a solo collection, Lifescapes is now available for download on Kindle. Greybell Wood and Beyond (2010) and Plaything of the Great God Kafka (2013) were published by Lapwing Publications in Belfast. Together these three collections reveal my erratic life and attitudes to it. Hopefully more will join them in print soon.

Opinions of other poets


'I’ve enjoyed reading these poems for their range and their depth of experience and also for their ambition. The title poem of the book is a concrete poem and it’s worthy of E E  Cummings… it’s a book that’s varied, rich in its depictions, and, I suppose, it’s right in demanding our ear, our sympathy and sometimes compassion. And it’s also a book you return to relish and enjoy.'
Joseph Woods, then Director of Poetry Ireland, launching Plaything of the Great GodKafka at Highlanes Gallery, Drogheda, May 2013

'Memory and passage of time are dealt with in poems such as ‘Pleasures of Puberty’, again looking back on those awkward adolescent years of first erections and opening of the sensual world through heat, water, touch, the flowering of manhood. Or ‘San Francisco Dreaming’, a poem made up of dream and longing, searching for beat poets, magic, opportunities.'
Karl Parkinson, performance poet, at Dublin launch of Plaything of the Great God Kafka at Monday Echo, International Bar, May 2013.

'The title comes from the idea of circumstances suddenly changing for no apparent reason, leaving you confused as to why a friend has become an enemy or someone suddenly says something that is wrong and hurtful. This captures the essence of the collection which delves into the intriguing, dramatic and significant incidents in Hudson’s personal life and the times he has lived through.'
Books Ireland


Roger’s poems capture treasured moments, and, when he reads them aloud, he gracefully unfolds them for us – this is a blessing.
Stephen James Smith, performance poet

Reading Roger Hudson’s ‘Greybell Wood And Beyond’ feels like sitting in a cosy pub on a Sunday afternoon listening to an old friend reminiscing. Each is memory recalled through a cascade of images, the narrative punctuated by fascinating asides and digressions. There is humour and honesty here and the voice, though rueful or sad at times, never judges the younger self but instead filters the experience through the wisdom of hindsight and a life fully lived.
Anne Tannam, poet


Join the Poetry Revolution

It's been really exciting for me over recent years getting into performing rather than simply reading my poetry. It all started with discovering the new events in Dublin that presented poets and singer-songwriters in an informal cabaret format. After I participated in a few sessions, I graduated from the Seven Towers open mic (now Sunflower Sessions) to the Glor Sessions, Tongue Box, 50 cent Theatre, Monday Echo, etc., etc. Realizing that younger poets like Stephen James Smith and Karl Parkinson were getting so much more out of their poetry and reaching the audience more deeply by performing from memory, I decided to try it myself. I discovered that I actually could memorize quite long poems. Something really great about playing to an audience and being able to gesture and make eye contact. This all brought constant surprises at discovering new things in my own poems and the thrill of being part of a revival if not a revolution in Irish poetry, which has led to major showcases like the LINGO Spoken Word Festival, regrettably no longer with us.

Other adventures in poetry include the four lunchtime Experiments in Mood and Meaning at Highlanes Gallery in Drogheda in 2012, which got me into performing with the magical improvised music of Claire Fitch and her electronic cello. We went on to perform as Hudson 'n' Fitch in other venues. Also, with Nuala Leonard, Brian Quinn and Anne Tannam, we lightly dramatized our poems. Together we performed elsewhere as Word Jungle.

A CD titled San Francisco Dreaming of 5 poems from my collections was produced in 2016 with Breifne Holohan, well-known Drogheda musician. That was a weird and wonderful experience recording those tracks in the ethereal acoustic of Highlanes Gallery. You can listen or download here.

San Francisco Dreaming Cover.

Click to hear recording on soundcloud.com

Biggest venture so far was The Great Drogheda Poetry Show in November 2012. This was a fully staged evening in the theatre at Droichead Arts Centre in Drogheda with 13 living and 5 dead bards and poets, three musicians, a presenter, stage lighting, projections, sound effects - the works! All of this was to celebrate the 600th anniversary of the merging into one of the two rival towns of Drogheda on each side of the river Boyne. John F. Deane, Anne Le Marquand Hartigan and S.J. McArdle were featured.

© Copyright Roger Hudson and the photographers Karin Hammer, Simon Hudson, Garry Maguire, Jenny Matthews, Paul Murray & Andy Spearman, 2017